Jewish Brick Lane
In the late 19th century, the streets around Brick Lane were dramatically transformed by an influx of Jewish immigrants from Eastern Europe. New synagogues, kosher butchers and restaurants opened, and a rich Yiddish culture emerged, with its own newspapers and theatres.
Jews had been coming to London since 1656, when they were officially readmitted by
Oliver Cromwell, following their earlier expulsion, by King Edward I, in 1290. The first to arrive were rich Sephardic Jews from Spain and
Portugal who settled in the city, setting up
financial houses. They were followed in the 1690s by Ashkenazi Jews from Germany, Poland and Eastern Europe, who were mostly
merchants, businessmen and financiers. The heart of the community was the Bevis Marks Synagogue, built in East London in 1701. This beautiful synagogue, the oldest in England, still holds services today.
©Jewish Chronicle Ltd / HIP / TopFoto
In the late 18th century, Daniel Mendoza, a Sephardic Jew from Aldgate, won national fame with his bare-knuckle boxing victories. Though only 5ft 7in tall, he beat much larger and stronger opponents thanks to speed and skilful defensive tactics. ''Mendoza the Jew", as he proudly billed himself, was Champion of England from 1791 until 1795. He finally lost his title to "Gentleman" John Jackson, who beat him by gripping his long hair with one hand while pounding him in the face with the other.
By the time of Mendoza's death, in 1836, there were around 17,000 Jews living in London.
Find out more about Daniel Mendoza here
Fleeing the pogroms
The
late 19th century saw a massive increase in Jewish immigration from Eastern Europe, the result of deliberate government policies of persecution. In
1881, there was a great wave of violence against Jews throughout the
Russian Empire, when they were targeted as scapegoats for the
assassination of Tsar Alexander II. Attacks on Jewish communities were called ''pogroms'' (the word for devastation in Russian).
Between 1881 and 1914, more than two million Jews fled from their homes in Eastern
Europe, many passing through London to Liverpool, to set off again for
New York. Some 150,000 Jewish immigrants stayed in London, mostly
settling in the East End close to the docks, around Spitalfields and Whitechapel. Unlike
the earlier Jewish immigrants, these newcomers were mostly poor and
uneducated. They made their living as market traders, tailors, leather
workers, cabinet makers, furriers, bootmakers and cigarette makers. They spoke Yiddish, a language based on medieval German, with many Polish, Russian and Hebrew words, and written using Hebrew characters.
Many East Enders viewed these Jews with suspicion and hostility. They accused them of
taking their work and blamed them for pushing up rents, through their
willingness to accept overcrowded conditions. The journalist and author, Arthur Morrison, wrote with disgust of ''German-Hebrew provision shops (displaying) food of horrible aspect; greasy yellow sausages, unclean lumps of batter fried in grease; and gruesome polonies and other nondescript preparations repellent to look on.''
In 1888, when the serial killer nicknamed Jack the Ripper brutally
murdered at least five East End prostitutes, many assumed that a Jew
must be to blame. In September 1888, the East London Observer reported
anti-Jewish demonstrations in Whitechapel, where "it was frequently
asserted that no Englishman could have perpetrated such a horrible
crime... and that it must have been done by a Jew".
Yiddish theatre
©TopFoto.co.uk/HIP
Yiddish theatre reached a height of popularity in the
early decades of the 20th century. Its main home was the Pavilion
Theatre, Whitechapel, which was as grand as any West End establishment.
Here, Yiddish companies staged melodramas, romantic musical comedies,
sentimental plays, and even Yiddish translations of Shakespeare. There
was a different show every night, performed to packed, noisy and
appreciative audiences. According to Cyril Sharp, who often went to the
Pavilion, "The more dramatic and hammy the performance, the more
rapturous the applause that followed. The audience liked to be reminded
of life in Eastern Europe, and nostalgia and sadness were the dominant
themes."
Yiddish theatre went into decline from the late 1920s,
as a second generation of immigrants grew up whose first language was
English. Theatre was also hit by the growing popularity of cinema, and
the Pavilion Theatre was forced to close in 1935.
The Jewish East End today
©Cognitive Applications/Maria Gibbs
The Jewish East End Celebration Society has published details of two walks you can follow, to explore the area's rich Jewish history. Find them here
If you can't get to London, visit the online Jewish East End photo gallery here