Celebration for the masses
Glastonbury Festival emerged as an egalitarian countercultural celebration of youthful hedonism and the best in British music. The festival played a key part in the legislation of mass gatherings, and continual attempts were spearheaded by the Conservative Party to put an end to it. Thankfully, Glastonbury Festival survived and went on to become one of the largest and most exciting greenfield music and performing arts festivals in the world.
©Jason Bryant
There’s also theatre, cinema, cabaret, food, comedy and plenty of kids' stuff to enjoy. The festival offers more fringe theatre shows than any other weekend show in the UK and if you think the food is going to be a measly toss-up between soggy hot dog and dodgy bean burger, think again.
The delicious fodder to be found on-site is
wonderfully varied - drawing on international, largely organic and fairtrade
fare (the site only sells fairtrade coffee and hot chocolate).
Local produce is in abundance - the scrumptious local cider and 'freshly squeezed' milk from the farm included. All tastes are catered for, indeed you could sample cuisine from a different country for every meal during the whole four days and you could probably manage to be a macrobiotic vegan while you're at it!
©Jon Spaull/www.britainonview.com
The more commercial
aspects of the festival are around the Pyramid, Other and Dance stages. Think
of the West End on a Saturday night but your name is on every guest list, the
experience is 100% beautified, and the setting is a muddy field not a steamy
nightclub.
More relaxed vibes can be found in the Acoustic and Jazzworld areas, and the Kidz, Theatre and Circus fields are great for families, as is the Green Kids area. Glastonbury is certainly great for kids, with plenty of (free) things for them to do (plus kids 12 and under get in free); seems ‘free’ is the buzzword when you’re a kid!
Looking for an alternative approach? Don’t miss
the Field of Avalon, Tipi Field or the Green Fields. And Lost Vagueness has
taken the medal for hedonistic madness for the last few years running. At the
top of the site is the Sacred Space with a modern reconstruction of a stone
circle.
“It’s a wonderful place, a great feeling. There’s something about it that makes it peculiarly British. There’s something different about it; it’s not sanitised. It’s the perfect festival, a thrill to play, and there’s always a good crowd.” (Tom Rowlands, The Chemical Brothers). Courtesy of: Glastonbury – An oral history of the music, mud & magic by Crispin Aubrey & John Shearlaw.
copy;Jon Spaull/www.britainonview.com
And then, of course, there are the festival-goers; in
all their splendid diversity. One common characteristic that unites people
going to Glastonbury Festival is a dogged determination to enjoy an experience like no other. Thousands of people of all ages, backgrounds,
nationalities, lifestyles, faiths and tastes flock to this annual feast of fun
and frivolities, and yet the vibe remains predominantly mellow and friendly –
testament of our willingness as a nation to just get along (and have a damn
good party).
Glastonbury has managed to grow into a gargantuan giant of a festival without losing touch with its founding principles: good music, good fun, good people and a bounteous smattering of respect and spirituality. Let the party begin…