William Blake: the Poet
The hymn we know as 'Jerusalem' began life as a preface to a long epic poem, 'Milton', by William Blake. One of his continuing series of Prophetic Books, the work was composed over four years (1804-8), and was illustrated by Blake with a series of the engravings for which he was by then famous.
NPG 212
William Blake by Thomas Phillips; oil on canvas, 921 x 720mm
http://www.npg.org.uk/live/search/portrait.asp?mkey=mw00609
William Blake by Thomas Phillips; oil on canvas, 921 x 720mm
http://www.npg.org.uk/live/search/portrait.asp?mkey=mw00609
As a result of an association with the radical publisher Joseph Johnson, Blake met many of the leading dissidents and freethinkers of the day. His thinking took on an anti-rational and anti-materialist tone, as he rejected the values of the industrial revolution, poured scorn on the findings of Newton's physics, and subscribed to a mystical version of Christianity propounded by the Swedish visionary Emanuel Swedenborg. A friendship with writer and early feminist Mary Wollstonecraft led Blake to espouse the rights of women and advocate an early form of free love, rejecting the demand of traditional morality for chastity outside the marriage bed.
In 1800, Blake moved into a cottage in the village of Felpham in Sussex owned by a minor poet, William Hayley, having accepted a commission to produce a series of portraits of poets for Hayley's library. It was while staying at Felpham that he wrote Milton.
William Blake's first illustration from 'Songs Of Innocence And Of Experience', Fitzwilliam Museuum, Cambridge
© TopFoto.co.uk
© TopFoto.co.uk