Playing Holmes
Since the 1890s, hundreds of actors have played the role of Sherlock Holmes, on stage, screen and the radio. There have been more than 260 films, two musicals and even a ballet, "The Great Detective", staged at Sadler's Wells in 1953.
Although many actors have played Sherlock Holmes, there were just three who became completely identified with the role in the eyes of the public: William Gillette, who played Holmes on stage from 1899 until 1932; Basil Rathbone, who introduced the detective to a mass cinema audience in the 1940s; and Jeremy Brett, who was Holmes on television from 1984 until 1994.
"Elementary, my dear Watson!"
© Mike Goldwater / Alamy
In 1899, six months before his first performance as Holmes, Gillette went to meet Doyle in Ulster. He arrived at the train station wearing full costume, walked up to Doyle and looked him up and down with a magnifying glass before declaring, "Unquestionably an author!" This was the beginning of a long friendship between author and actor.
Gillette played Holmes as a heroic man of action, who is much more emotional than the fictional detective. In the first Gillette play, Holmes even falls in love - despite Doyle's Holmes having an aversion to women. In spite of these innovations, Doyle loved Gillette's performance and wrote to him, "My only complaint is that you made the poor hero of the anaemic
printed page a very limp object as compared with the glamour of your
own personality."
See William Gillette as Holmes here
Holmes in Hollywood
©Topham
Gillette had shown Holmes injecting himself with cocaine, watched by a disapproving Watson. In 1939, drug-taking was less acceptable. In one scene in The Hound Of The Baskervilles, Rathbone's Holmes calls for "the needle". When this drew complaints from the public, Holmes's drug habit was dropped from all the later films. A more serious break with tradition was the resetting of many of the stories in the 1940s, allowing Holmes and Watson to fight Nazi spy rings.
At first Rathbone, who had previously played mainly villains, welcomed the opportunity to be a hero. Yet over the years, he felt increasingly trapped by the role. Strangers would regularly shout at him in the street, "Hi Sherlock! How's Watson?" - something Rathbone found unbearable. In 1946, after finishing the last film in the series, Dressed To Kill, he vowed never to play the detective again. Yet the public still thought of him as Holmes, and he returned to the role for a 1953 stage play written by his wife.
Jeremy Brett
© Popperfoto / Alamy
Unlike Gillette and Rathbone, who both resented being typecast as Holmes, Brett saw the role as a wonderful opportunity to grow as an actor. Before playing Holmes, he had specialised in romantic leading roles, which had not stretched him, and which he was growing too old to play. He found the character of Holmes both fascinating and challenging, describing him as "this genius, this animated spider", and declaring that "Trying to be Sherlock Holmes is like trying to catch an arrow in mid-flight". Brett also had much better scripts than those of Gillette or Rathbone. While Gillette had been forced to perform the same two plays for year after year, and Rathbone had been given wartime propaganda, Brett's series dramatised the original Doyle stories.
Shortly before his early death, Brett looked back at the Granada series with gratitude: "To everyone who has worked on these films of Sir Arthur Conan
Doyle's stories in the past decade, only one word can express how I
feel: Bravo! Holmes has finally given me recognition as a real actor,
not just an aging pretty face.''